
It was with his 1982 television adaptation of Macbeth that Tarr Béla suddenly and without warning turned into Tarr Béla. No learning curve, no gradual shift - all at once, the social realism that had marked his early features simply wasn't there, replaced with "fuck you, that's why" approach to formalist storytelling that turns his film less into a version of William Shakespeare's tragedy than an exercise in how cinematic blocking dictates our response...